Watt (1957) famously demonstrated that the novel, a comparatively new form of literary production accompanying the rise of extended literacy and a largely unclassically educated leisure readership in the eighteenth century, was built over a base of related textual forms: the essay, the sermon, the drama, the political pamphlet, the scientific report, the romance.
His work focused on intertetxual and contextual studies into nineteenth century literature While it may seem curious to deal first with text, in a study which aims to show the relative fluidity of on-line chat as a form of talk, it does seem necessary to consider the degree to which comparatively recent moves to acknowledge the active role of readers as opposed to writers of literary texts have established legitimacy for views of language itself as made meaningful as much in reception as in production.
Given the distantiation of online text, as noted in the Introduction above, the “talk” relations of online chat rest more securely on text reception than those of their real-life equivalents.
Active interpretation in reception is as central to chat practice as Landow has established it is for contemporary literary theorists.
There are many literary theories; so many that theorist Joseph Natoli has labeled the field a “theory carnival”, (Natoli, 1987, p. Literary theories overall have become more scientific and specialist, according to theorist Terry Eagleton, “…
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